Tuesday, March 3, 2015

An Agent, a Conference, and the Gong Show -- a post by Louise

A lot of writers tell me they often don't know what authors and editors want out of them at conferences. Is there a right way or a wrong way to do things at a conference? How prepared should they be?

The truth is, while you must always try to be professional, it's not possible to always be 100 percent prepared. The important thing is to do your best, to be enthusiastic, and to believe in yourself.

Let me tell you a story.

When I was a newish agent -- about four years ago -- I attended the Dallas-Fort Worth Writers Conference. I had an amazing time, partly because of the "wrangler" assigned to me who helped me throughout the conference, but mostly because of the wonderful people I met. I actually met and read the work of one of my first clients, Lindsay Cummings, whose MURDER COMPLEX I later sold to Greenwillow, an imprint of Harper Collins.

One day at the conference I learned I would be in a "Gong Show" event. I had no idea what the words Gong Show meant. I grew up in Cape Town, South Africa; I didn't watch American TV growing up, had no idea about old game shows. All I knew was this panel would include agents and editors and we'd be hearing pitches and then rendering some type of judgment.

A bit panicked at my lack of knowledge, I fled to a bathroom stall and called my American husband back in New York and asked him to tell me all about the Gong Show. He laughed and gave me a brief history of the show, telling me it included terrible acts and celebrities running them off the show by hitting a giant gong. Frankly the description simply left me even more confused.

So I went to YouTube.

(To watch, click this link) --> GONG SHOW

Back in my hotel room, in the little bit of time I had between hearing pitches and going on the panel, I searched for as many old episodes of the show as I could find. I watched apparently crazy people performing acts, being jeered and ultimately thrown off the stage as they were GONGED. I still didn't really understand the point of the old game show, but I now thought I understood the point of the panel. They wanted crazy! They wanted antics! They wanted fun and outrageous opinions! I thought, "This is cruel." But, that's apparently what they wanted!

I made my plan. A short while later I showed up on the panel. My fellow panelists? All dressed very professionally. Looking very somber, and serious. Me? Wild hair. Sunglasses. Drenched in every piece of jewelry I had brought with to the conference. And I was smoking one of those new electronic cigarettes.

I stared at my fellow panelists and wondered if I'd done something horribly wrong. I had taken the Gong Show literally! I had definitely misread the situation. But I didn't have any time to change my mind -- or my look. I had to go full-speed ahead.

Throughout the panel I made sure to listen carefully, think professionally about the manuscripts and did my best to channel the celebrities I'd seen on those videos. I gonged away -- when, of course, not offering praise for a verbal query I liked. At one stage I nearly tackled another panelist as we fought for the gong. In the end I had a great time, and I believe everyone in the audience did as well, including the writers who pitched us their manuscripts. Even the ones who got gonged might have enjoyed the zaniness of that panel since we were not too serious. I try to get back to the conference whenever I can and it's my favorite event of the year.

So if you're a writer at a conference, and you ever find yourself nervous or a bit scared or apprehensive, or unsure of yourself -- maybe you feel like you're talking too much or too fast or not enough to an agent or editor -- and in your head you think they're about to give you the gong, remember to believe in yourself. It will likely work out in the end.

Saturday, February 28, 2015

TBA Monthly Wishlist - February 2015

Alongside new themes on the blog, we will be running some new monthly features. One of these will be a wishlist post from all TBA agents on the last day of the month for ONE project they would really like to see in their submission inbox. If you have something that fits with the below, please check out our submission guidelineson the website and send it over. We can't wait to read!

Beth Phelan: YA contemporary inspired by the Upright Citizens Brigade or set around an improv class/community/troupe that explores the intersection of comedy and depression/mental illness that so many people struggle with every day.

Jenny Bent: A twisty turny suspense novel (for adults) with a female protagonist like GIRL ON THE TRAIN.

Susan Hawk:  Voicey, literary YA that makes me think, and makes me cry, like SPECTACULAR NOW or GRASSHOPPER JUNGLE.

Victoria Lowes: A YA set in the contemporary middle-east. Maybe it’s a romance; perhaps there are some elements of magical realism, though that’s not necessary.

Molly Ker Hawn: Smart, literary MG or YA that plays with narrative structure in a clever, surprising way.

Brooks Sherman: I would love to see a zany, comedic, voice-driven middle-grade novel like THE TAPPER TWINS GO TO WAR (WITH EACH OTHER) or THE STRANGE CASE OF ORIGAMI YODA.

Heather Flaherty:  I really want some well done YA time-travel right now.

Louise Fury: Women’s fiction featuring a mother/ adult daughter relationship.

Gemma Cooper: I would love an epic MG fantasy adventure. Something that feels cinematic, with excellent world building, a big cast of interesting characters and scope for a series.

Friday, February 27, 2015

Deal Announcement: Harriet Reuter Hapgood's stunning YA debut to Roaring Brook and Macmillan UK

As announced in the Bookseller and Publishers Weekly, I’m thrilled to confirm an exciting 2-book deal for Harriet Reuter Hapgood’s debut YA novel THE SQUARE ROOT OF SUMMER.
We’ve had a crazy few weeks with an 8-publisher UK auction, an heated auction in the US, a French pre-empt, and auctions in Spain, Italy and Brazil. THE SQUARE ROOT OF SUMMER has captivated everyone who has read it, especially me! It's a YA contemporary with a twist, in which seventeen-year-old physics prodigy Gottie Oppenheimer navigates a summer of grief, world-stopping kisses and rips in the space-time continuum, as she tries to reconcile her first heartbreak with her last. From the opening line, I was transported to summer and stayed glued to the book until it's end - I can’t wait for you all to read it and fall in love as well!

And a side note - between meetings with UK publishers during the auction process, Harriet and I stopped in the Foyles cafe for lunch. Harriet ordered a ginger beer and I had to take a photo: 

THE SQUARE ROOT OF SUMMER will be published in May 2016 by Roaring Brook/Macmillan Children’s Publishing Group US and Macmillan Children’s UK.

Please go congratulate Harriet on twitter!


Thanks to everyone for applying to both the YA/MG intern and Generalist intern posting on January 26. We have filled these positions.

If you were not selected in this round, please feel welcome to apply again. These positions open up quite frequently. Watch this blog and Twitter for the next opportunity!