Showing posts with label rejection. Show all posts
Showing posts with label rejection. Show all posts

Friday, October 10, 2014

Likes and Dislikes... a Note on Rejection and What to Do Next, from Susan



Like every agent, I pass on more projects than I request.  Often, I receive a kind reply, asking if I can take a minute to explain why I’m passing, or to give some advice about what would improve the project.  I wish I could reply to each of these requests, but in lieu of that, here are some of the reasons I pass, and some suggestions about what to do next.

The first reason for a pass is that the project just isn’t right for me.  I think it’s fair to say that most everyone involved in books and publishing got here because they love reading.  From the time I was six years old, curling up with a new book was a favorite pastime, and that’s never changed.  When I consider queries, I bring that life of reading with me -- I’m looking at your material through the lens of all the books I’ve read and loved, as well as those I’ve read and not loved.  My own likes and dislikes inform my response, of course, and so a pass doesn’t necessarily mean that your idea isn’t a good one, or that it’s not written well.  It simply means that my particular heart doesn’t beat faster when I read it, but someone else’s may!

So, when you get a pass, remind yourself that any one agent is just that: one agent.  One person.  Dust off the slightly bruised ego (it happens to all of us, agents get rejections too!), and go on to the next.

Another reason I often pass has to do with the marketplace.  For instance, right now it’s a challenge to sell YA science fiction, as many editors have acquired quite a bit of that, and have enough for now.  I can enjoy your writing, but if it’s in a genre that’s challenging to sell, I may have to pass.  But more often than a certain genre that’s currently oversold, I see projects that don’t fit into their category in some way – a picture book text that’s over 1000 words, while most texts these days are 500 words or less, or a novel that’s YA in subject matter, but MG in tone.

The best way to make sure that your book is aligned to the market is to read, read, read.  Read as widely as you can in the category you’re writing (i.e. picture books, chapter books, middle grade, YA, etc) – set yourself a goal of forty books in six months, more if you’re working on picture books, and don’t stop there.  It’s only in reading a quantity of books that you will start to appreciate what makes a MG voice, as opposed to YA; how picture books texts can be so minimal, and get across character so fully; how detailed non-fiction texts tend to be, etc. 

The one thing you don’t want to do, as you read, is to try to determine what the next trend will be.  Trends are often short-lived, and therefore frustrating to chase.  Write your book – the book that only you can write.  Reading will give you the tools to do that, or as Stephen King says, “You cannot hope to sweep someone else away by the force of your writing until it has been done to you.” (On Writing: A Memoir of the Craft)

Sometimes I pass because I feel that the writing isn’t strong enough.  I’m looking for writing that totally captures me; that feels so true that it makes me laugh and cry.  That’s not easy to do, and ultimately, I know of only one way to get your writing to this level: practice.  You must keep writing, in spite of the passes, and keep growing your craft.  But how do you know that you are doing that?  Agents and editors aren’t able to give in-depth feedback for projects they haven’t taken on, so how do you know you’re on the right track?  You need to find your writing colleagues!  Joining a writing group can be invaluable, and going to a writers’ conference is a great way to find other writers you are simpatico with, not to mention another source for feedback in and of itself (via one-on-one or pitch sessions etc).  Writing can be a lonely experience, reach out to your fellow writers to find support as well as the feedback that will help you take your writing to the next level.

So, in short, here’s what to do if you get a pass:

  1. Remember that agents have their own likes and dislikes, just like anyone else
  2. Create a writing group
  3. Attend conferences
  4. Read, read, read!
  5. And most of all, KEEP WRITING!

 Any more questions?  Let me know in the comments and I’ll reply.

Friday, July 26, 2013

Further thoughts on rejection--a post by Jenny

I write a lot about rejection because I *think* a lot about rejection.   I'm on both the giving and receiving end of it almost every day, after all.   

On any given day, I receive about 20 to 50 queries.  I just checked and so far today I've received 18.   Most them will be rejected, not because they are necessarily "bad" or unworthy somehow, just because for whatever reason (and I've blogged about this before), they weren't right for my list.   I don't exactly know what my request percentages are, but I think I probably request more than many other agents, I think it's part of my optimistic nature to do so.   It's so hard to tell from a query and ten pages what the potential of a manuscript is and so I often ask to see books that I'm a bit on the fence about.   And I have definitely offered representation for titles that I have initially been unsure about.

But you guys know all about this, and if you are an aspiring writer reading this blog, you may have even been on the receiving end of a rejection from me or from one of the other agents here.

This is what I want you to know about this:  we don't like rejecting manuscripts!   Nothing makes me happier than requesting a manuscript, loving it, offering representation and then selling it.   It's not a happy process to turn people down all the time and I don't know a single agent who does like it.   And here's what I also want you to know about this: we understand rejection and we know how hard it is and how much it can hurt because we also get rejected ALL THE TIME.  

In the past few months, I have offered representation to two authors who I thought were absolutely terrific.   Both of them had multiple offers of representation and both of them went with other agents.   So not only I got rejected, but a bunch of other agents got rejected.   I'm sure it wasn't the first time for any of them and it won't be the last time for any of us.

So there's that kind of rejection.  Then, consider this:  I have never, not in 20 years, sold a book that didn't receive multiple rejections in addition to the offer or offers of publication that it received.   Even when I sell a book at auction, and there are multiple bidders, there are always also multiple passes.   Sometimes it takes two or three rounds of submissions to sell a book, in fact, and I can get up to 20 or 30 passes before I sell something.  So even the "success" stories are full of rejection. 

And here is what I have learned from all this rejection.  The very most successful authors and agents I know do not get fazed by rejection. Yes, it hurts.  Yes, it sucks.  But if you don't personalize it (it's your book that got rejected, not YOU, is one helpful way to look at it), and you keep up the good fight, every single day, and you just keep trying as hard as you can, you are going to succeed.  I truly believe that.  I have certainly been laid low by rejection.  It's battered at my confidence, I'm not going to lie.  But I have never, ever let it defeat me.  And I want all of you reading this to promise yourselves that you won't let it beat you either.  Believe in yourself even when it feels like no one else does.  I am rooting for you!

Jenny