Showing posts with label Victoria's posts. Show all posts
Showing posts with label Victoria's posts. Show all posts

Friday, March 20, 2015

AMA Coming Your Way!


Head’s up everyone!  Beth Phelan and Victoria Lowes will be doing an Ask Me Anything session this coming Monday, from noon to 3:00 pm, EST time.  As we’re talking about queries this month, please send in questions on that topic. 

For more on Beth and Victoria, please look here.  They’re answering questions about queries for any genre or readership (even if it’s not a genre they rep).

See you Monday and bring on the questions!


EDIT: If you are reading this right now because you think this is where the questions will be posted/answered, you are in the wrong place! 

To find the live AMA post, please go this way! Please do not post questions here. Thank you!

Monday, November 17, 2014

Deal announcement: Ami Allen-Vath's PROM BITCH

Today I am so, so excited to tell you guys that my wonderful client Ami Allen-Vath's debut YA novel PROM BITCH will be published by Sky Pony Press in Fall 2015! PROM BITCH is funny and heartbreaking and I can't wait for you all to read it.

Check out Ami's lovely blog post about her journey to a book deal here. Also, follow her on Twitter @amilouiseallen. She's charming, hilarious & all around amazing.

Children's:
Young Adult 
Debut author Ami Allen-Vath's PROM BITCH, about a high school senior navigating prom season amidst panic attacks, a new boyfriend, & a suicide letter from the class outcast, to Kristin Kulsavage at Sky Pony Press, in a nice deal, for publication Fall 2015, by Victoria Lowes of The Bent Agency.

Friday, November 7, 2014

Tips on Landing a Publishing Internship- a post by Victoria

As the newest agent currently at TBA, memories of my very first internship search are still quite vivid. It was time-consuming, exhausting and I got a lot of no’s. But luckily one agent was willing to take a chance on someone who didn’t have any experience, then another agency was impressed that I came back a season later with some newly added experience to my resume, then I had a boss who thought enough of me to recommend me for a full-time position at TBA.  So, if you are considering maybe trying your hand in the publishing industry, here are some tips to help get you started:

1. Start your search.

There are a bunch of websites that you can routinely check to keep an eye out for any potential internship or entry-level positions. These in particular were extremely helpful when I was starting my own job search:


Also, it’s a really great idea to keep an eye on agency/publisher blogs or websites because sometimes, like we do on this very blog, agencies or publishers will post openings for internships there.

2. Use Twitter.

The entire publishing world is constantly communicating via the Twitterverse. So follow agents, editors, literary agencies or publishing houses that you might want to work for. You never know when an opening will pop up! Also, don’t be afraid to connect directly with agents or editors you admire.

3.  Know your stuff.

It’s always a good idea to keep yourself informed about what’s happening in the publishing world.  There are a number of really great industry blogs and newsletters you can subscribe to including Shelf Awareness, GalleyCat, Digital Book World and Publisher’s Lunch.

Also, and this may seem obvious, you need to read…a lot. Figure out what kinds of books you want to be working with and read as many books in those genres as possible. Keep an eye on the bestseller lists and read those titles as well.

4. Are you willing to relocate?

While lots of agencies, including TBA, offer remote internship opportunities for those of you living out of NYC, there are definitely a lot more opportunities available, especially at the early years of your career, to those able to commute into the office. So consider if you’re willing to make the move. However, if you’re not, don’t worry! There are still plenty of literary agencies and smaller publishers located in major cities around the country.
---------

If you don’t get the first few internships you apply for, keep trying.  Once you get your foot in the door, subsequent opportunities will be much more within your reach. Good luck everyone!

Friday, February 21, 2014

Deal Announcement: Three-book deal for Liora Blake!

I’m so pleased to announce a three-book deal with Simon & Schuster’s Pocket Star for Liora Blake. Her debut True North is the start of a contemporary romance series that will be released in 2015. Liora's prose is nothing short of lyrical and this romance is very, very sexy. I can't wait for you guys to read it!

Here’s the PM announcement:

Digital: Fiction: Women's/Romance
Liora Blake's TRUE NORTH, about a small-town Montana writer as she embarks on sexy relationship with a rock star and discovers he's more than his intimidating on-stage persona, though when a searing expose in a trashy magazine sends her running, it threatens their chances at forever, to Lauren McKenna at Pocket Star, in a nice deal, in a three-book deal, by Victoria Lowes at The Bent Agency.

Help me in congratulating Liora on her brand new twitter. She’s @liorablake. Also, check out her fantastic new website here.

Tuesday, December 17, 2013

Deal Announcement: PRIYA IN HEELS by Ayesha Patel

I’m so delighted to announce Ayesha Patel’s new book deal with Entangled for their Embrace line. Drawn from the author’s real life experiences, Priya in Heels is a NA multicultural contemporary romance that is scheduled to be released in September 2014.

I know you’re going to fall in love with Priya and Tyler’s story just like I did. Here’s the PM announcement:

Digital:  Ayesha Patel's PRIYA IN HEELS, a multicultural contemporary romance about a perfect daughter who falls in love with an imperfect man (according to her parents)and the impact that has on her parental relations, her friends, and her career as doctor, to Erin Molta at Embrace at Entangled, for publication in 2014, by Victoria Lowes at The Bent Agency.

You can check out the author's blog here and join me in congratulating the lovely & talented Ayesha Patel on twitter: @AyeshaPatel17

Friday, December 6, 2013

How I Found My Agent -- A Guest Post by Ami-Allen Vath

As part of a continuing series on our blog, HOW I FOUND MY AGENT, here is a guest post by Ami Allen-Vath about her querying experience and how she came to be represented by our agency. I’m so thrilled to have her as a client and am looking forward to what I know will be a very successful relationship. You can find out more about Ami at her blog: www.amiallenvath.wordpress.com. -- Victoria

HOW I FOUND MY AGENT

In March of 2013, I began querying my YA Contemporary novel. It was my first completed manuscript. My first query trench visit. Which, for me, meant every rejection, especially in the beginning, was a cause to go absolute bananas for alarm. Should I re-write my beginning, maybe tweak the ending? Or just burn it? Come on, which one? It took me a while to really get what subjectivity meant.

I started reading “How I got my Agent Stories” like nobody’s business. Looking for inspiration and well, just to know “what to expect when you’re expecting to get an agent offer.” It was the same kind of deal when I was trying to get pregnant a few years back. Reading everything I could read, looking for secret handshakes and averages and overall, hope.

Six months after my query journey began, I received an offer. From a publisher. Wait, what? I thought you’re not supposed to submit to publishers and agents simultaneously? Well, at the time, I didn’t know there was any controversy about that. But, I think as long as you’re informed about all the reasons to and not to, (please do your research) then ultimately, it’s your choice. But you should only query and submit to those you’d seriously consider if they make an offer. Don’t send your query off to someone you know you’d never say yes to.

One of the agents who already had my full manuscript was Victoria Lowes of The Bent Agency. TBA was at the tippy tippy-top of my list and had been since the beginning of querying. As soon as I read an interview with Victoria on Michelle Hauck’s blog, I put her on my list of agents to research. From there, I was impressed with her experience, aspirations, and the fact that she’d been learning and working alongside the professional, personable, and incredibly successful Jenny Bent. Her wish list also seemed to be very much in line with my novel. When Victoria requested my full manuscript, I was equally nauseous and excited to get it into her hands. Also, since she specializes in digital-first, she was the very first agent I thought of when I received my publication offer. I had a strong feeling that if she were “the one,” I’d be in good hands.

Aside from the full requests already out there, my “OFFER RECEIVED” email to recently queried agents got me two more requests. My inbox oozed of congratulatory, subjectively seeming, and gracious emails, but let’s not sugarcoat it. It was rejection week. One agent said no, but “we encourage you to accept the other offer.” One said no, but with regrets and felt confident it’d be okay since I had another agent offer along with the publisher. Try telling any querying writer not to overthink those emails. I had to explain it to my husband in layman’s terms. “No dude, they’re not being jerks. It’s like a girl dates you and thinks you’re hot but kind of boring. Or she loves hanging out with you but just can’t see herself bringing you home for a lifetime of shenanigans.” Sigh. “It all has to click.”

I tried to act cool, but I was really nervous it wouldn’t click for Victoria or the other agents with my manuscript. I didn’t have one dream agent per se, but I’ll admit this: I’d previously ranked the final agents with my manuscript as number ones on my QueryTracker chart. I was feeling that whole “just an honor to be nominated” kind of thing. Yeah but still: pick me PICK MEEEE! I was honored that my manuscript was in their hands, but also panic attacky as hell. One agent bowed out at the end of the week because even if given another week, it wasn’t enough time for her to get to my manuscript. Which proves that having an offer doesn’t mean that all agents will go nuts to read your book overnight. Agents are really busy so a time crunch is also another reason to say no. (Cue: Queen’s Under Pressure).

The more I thought about my initial offer, I really, really wanted an agent to help me out on this decision. Okay, let me be honest, I needed an agent’s guidance like nobody’s business. Because, once I read over the offer and started doing more research…SURPRISE! I didn’t know anything about rights and royalties and percentages and negotiating additional book options. Turns out I didn’t feel qualified and didn’t really want to take twenty-four crash courses in publishing contracts and hire a lawyer.

There was a lot of soul searching over the week. And a lot of ice cream eating. After an agonizing weekend, Monday morning came and an email from Victoria Lowes of The Bent Agency popped up on my screen. She was requesting a call. Wait? Victoria Lowes of The Bent Agency? Ack! THIS WAS IT! Is this THE CALL that all querying writers dream of? Yep. I didn’t even have to read the email over a million times or send it to a friend to help me psychoanalyze. After saying she’d love to schedule a call, it literally said “(hint: I’d like to offer representation.)” And there was a smiley face! Whaaaaaat? As many times as I dreamed about seeing this email, it was a total shock. It was clean and clear, and…so positive. There was no “But I just didn’t connect” or “I’m sure another agent will see it differently.”

EEEEEEK. I squealed the news to my toddler and texted my husband at work. Then, I scheduled the call like a pro–after my son got home from school and during my daughter’s nap.

I’d like to say the call was calm and cool while I asked the twenty some questions from the list I made months ago. Not even close. The first time I called, it went right to voicemail. On the second call, I heard every third word until I asked Victoria to call me back because of a bad connection. Listening to “loved—au—erp–representation” when you’ve been dying to hear an agent offer is brutal. When we finally talked for real, my throat was tight, and my voice was all shaky like it was tenth grade again and I was talking to my crush *Jason Murphy. (*pseudo name) It went by fast and I wasn’t in the moment although I wanted to be. I couldn’t think or speak or remember any of my questions even though they were on my lap. I have a theatre background and have led numerous business meetings and client presentations for my past sales job, so I don’t know where this came from. Oh wait, I do. When ever had I been thissuperclose to the start of making the first dream I’ve ever had come true? Never. I can’t even.

Victoria said she loved my book, thought it was funny, authentic and most importantly, she wanted to rep me and my career—not just the one book. And that alone is a dream come true. I accepted Victoria’s offer the next day. Since THE CALL, I’ve had more questions answered (with a less shaky voice), a very lovely welcoming email from the head of the agency, and a phone call that had me high fiving myself afterwards for having such a thoughtful, sharp, and on it agent. The faith and work Victoria has already shown and put into my book has been amazing and humbling. I’m excited for the journey ahead and am confident that this partnership will lead to great successes.

Wednesday, October 2, 2013

Some Query Tips -- a post by Victoria


As I make my daily trek into the slush pile, I’m often quite surprised at just how many authors make the same easily-corrected mistakes. So here are a few tips for those of you currently looking for representation to go over before you hit the send button.

1. Always follow the submission guidelines.
I’m always a little shocked at how many authors ignore our submission guidelines — like not including sample pages, or attaching them rather than embedding them. (You can find our submission guidelines here.) Each agent has her own preferences and you should make the necessary tweaks to your query to meet their guidelines. While it’s policy here at the Bent Agency to respond by asking the author to correct their mistake, for some agents, it means an automatic form rejection.

2. Make sure you get the agent’s name right and skip the mass email.
While you should certainly query multiple agents simultaneously, take a second to be sure that you’ve gotten the agent’s name correct. We won’t be insulted or take it personally, but you don’t want to come off as careless. Also, skip the To whom it may concern and opt for addressing each agent personally.

3. Proofread.
One or two spelling/grammar mistakes won’t prove fatal for your query (we’ve all done it), but more than a few will be sure to raise a red flag with an agent.

4. Do your research.
Be sure to research the agent and what she’s currently looking for to make sure your project fits the bill.

5.  Be specific.
If you’ve been published before, we definitely want to hear about it. However, if you say that you have publishing credentials, be sure to include the details!

      6. Don’t over self-promote.
It’s great to be enthusiastic and passionate about your work, but try to avoid going overboard tooting your own horn. If your project is that good—and it may very well be—we’ll be able to tell. You should use that space to give the agent a better sense of what your project’s about.

      7. Keep it short and sweet.
You should be able to tell the agent what your book’s about, the hook and why you’re the author to write it in less than a page. And while you should always include a bio, try to keep it brief and only include relevant facts, like publishing credentials or what makes you the ideal person to write your novel.

      8. Finish your book before querying.
While you may be anxious to find representation, avoid querying before you’ve finished your novel. Agents want to see full manuscripts that have gone through one or two rounds of edits first.

     9.  Start your query off right.
It’s best to start your query off with your hook or synopsis, rather than your bio.

    10.  Be creative.
Try to avoid starting your query with rhetorical questions like “What would you do if…” and “Have you ever wondered what it would be like if…” Be creative with your hook! You want your query to grab the agent’s attention right away.

Monday, July 1, 2013

The Different Ways to Publish Your Work in the Digital Marketplace- A Post by Victoria


Some of you may be wondering, “Who is this stranger posting on the Bent Agency’s blog and what have they done with Susan and Molly?” Well, I’m TBA’s brand new agent, Victoria, specializing in digital-first titles. I’m so excited to join the Bent Agency and can’t wait to contribute to its impressive catalogue of titles!

I recently attended my first BookExpo America (BEA) at the Javits Center in New York City, and as I ventured from the International Digital Publishing Forum — where conversation revolved around evolving consumer habits, HTML5, metadata and EPUB file — upstairs to the show floor, I was able to talk to a few authors and was struck by how little most of them knew about their digital publishing options. We’ve all heard the statistics demonstrating the rising power of e-books, but I won’t bother you with them here — I just want to outline, in the broadest of strokes, four different ways an author can digitally publish her work.

      1.     Do-it-all-yourself publishing: This is the option where the author takes control over every facet of their work’s publication. The author is responsible for editing, designing, formatting, promoting and finding the appropriate distribution channels for her book.
Pros:
-        This option requires the least financial investment, as you don’t have to pay a penny out of pocket to get your book published.
Cons:
-        For those who aren’t the most tech-savvy, digital publishing platforms often don’t provide these services. If you are unsure about how to convert and format your work, aren’t experienced in cover design or editing, or aren’t well-versed in successful book marketing, your work, and consequentially your readership, will suffer.

      2.     Hiring independent service providers:  This option requires hiring a number of specialists, such as an editor, a book designer, a publicist, etc., and coordinating all of them. Picking the right vendors and communicating your vision effectively are essential if you opt to go this route.
Pros:
-         You can select the people who work on each aspect of the book and get the benefit of their professional experience without relinquishing any of your rights to your work.

Cons:
-        This option could be the most costly and time-consuming.

      3.     Publishing packages: A third way to get your work digitally published is to work with an author-services company that bundles the services you require. Companies like BookBaby provide basic and premium packages which can cost up to hundreds of dollars, and include copyediting services, design, conversion and help distributing your work through the major channels.
Pros:
-         Perhaps the most convenient choice, this option offers everything you need to publish, promote and distribute your book in one place.
Cons:
-        Some companies may include services you don’t want or need, while others may not be as comprehensive as you’d like.

      4.     Digital-first publishers:  Most of the Big Six publishers have developed digital-first imprints that accept submissions from agented and unagented writers. There are also publishers dedicated to digital-first work, like Astraea Press and Entranced Publishing.
Pros:
-        Publishing houses and digital publishers have sales and marketing teams as well as trained, professional editors who also have a stake in your book’s success.
-    Publishing houses may be able to give your work wider distribution.
-        Some publishers even offer an advance against royalties.
Cons:
-        If you decide to go in this direction, expect the longest wait to get your book into the marketplace.
-        You have a lesser degree of control than with the first three options.
-    You relinquish rights to the work as well as a percentage of your sales proceeds. However, more and more publishers are willing to negotiate a more attractive royalty split and more author involvement in the publishing process.

Whatever route you decide to take, the opportunities for success in the digital market were never more attainable than today. None of these options is inherently better than the others — it all depends on what your skills and needs dictate. The process can be overwhelming, but TBA has the knowledge and resources to help you make smart choices for your work and navigate these different channels as painlessly as possible.