Updated Wishlist -- a post by Gemma

While I was away in September a milestone passed — my first anniversary of starting with the Bent Agency! Over a year ago I wrote this post on what I wanted to find in my submissions, and actually I’ve been really lucky in checking off some of these:

• I'd love to find fantastic chapter books (7+ fiction) with an obvious hook and a laugh on every page — and I found WITCH WARS by Sibéal Pounder, sold to Bloomsbury.
• A YA or MG crime novel or some sort of heist would be great. My favourite detectives are Poirot and Sherlock Holmes, and I've love to read something with the same feel written for younger audiences — red herrings, opulent settings and gathering everyone in a room for the reveal! – I found MURDER MOST UNLADYLIKE by Robin Stevens, sold to Random House UK.

As you can tell from these successes, it seems that if I ask for something, I actually get it! So I thought now might be the time to make some more requests and see what you can do to make them happen... 

• I’d really like a dual-POV YA, ideally in a contemporary setting. Something like DASH AND LILY’S BOOK OF DARES would be perfect. Or a third-person dual-POV like ELEANOR AND PARK. I’d really love a good YA romance, and an authentic boy perspective on this would be fantastic. 

• Author/illustrators – for any age. I have re-opened to picture books recently, but I’m not open to illustrators who don’t also write. I signed an amazing author/illustrator this year, and I’ll like some more please, especially in the 5-12 age range. I’m also open to graphic novels.

• Paranormal for MG (ghosts, witches, even vampires) — things with a slightly quirky and yet commercial hook. Think Frankenweenie, the movie by Tim Burton. Ideally set in mostly the real world or a twisted version of it. Can be funny or action/adventure. Or a bit of both, like The Goonies!

• For picture books, I prefer quirk over sentimentality. I love a big bold character, and books that have a message without being too didactic. I prefer sparse texts, with 700 words being a max for me – less is more. I also enjoy clever novelty or concept books. Author/illustrators writing picture books will get immediate attention.

• Strong friendships – for all ages. I love books where the best friend isn’t just a clichéd minor character, but a really important part of the main character’s life. In both of my clients’ books mentioned above, friendship is the key to why the books work and have so much heart.

• Funny chapter book (5-8 age) series with an obvious hook. I’ll never stop requesting these as they are such fun to read and work on. They have to be different from the books I already have, though. I’ve been getting a lot of evil pet submissions, but these are a bit similar to MY BIG FAT ZOMBIE GOLDFISH. Maybe something girlier or not set in the real world. Surprise me with something different for this age range. 

• I’m still looking for my diary-feeling historical in the vein of Morris Gleitzman’s ONCE, THEN, AFTER series. I don’t really mind what the historical period is as long as the voice grabs me. 

• Non-fiction for kids and teens – interesting topics, told ideally in a narrative. I love science and history especially, but would be keen to see any boy-focused non-fiction.

• All the MG – action/adventure, magic, historical, mystery/crime, issues, fantasy, horror, literary, anything really. Just keep sending them all.

• For YA, I’d still really love a crime thriller or murder/mystery. I’m also quite keen on finding a cult novel, or something with real page-turning suspense. Oh, and a ghost story would be great. I always love a good fright!

Below is a list of books I’ve loved this year:

• FANGIRL – Rainbow Rowell
• CLAUDE ON THE SLOPES – Alex T Smith
• EVERY DAY – David Levithan
• CROC AND BIRD – Alexis  Deacon
• DEAD ENDS – Erin Lange
• EVERYTHING IS FINE (AND OTHER LIES I TELL MYSELF) – Cathy Brett
• THE ONE AND ONLY IVAN – Katherine Applegate
• I AM AN ARTIST – Marta Altes
• THE ABOMINATORS – JL Smith
• THE GIGANTIC BEARD THAT WAS EVIL – Stephen Collins
• THIS MOOSE BELONGS TO ME – Oliver Jeffers

I’m sure as soon as I post this blog, I’ll remember a ton of other books I’ve loved and things I want in submissions. Remember, this is just the wishlist I can think of right now; maybe you have a book that is nothing like the above, but it’s well-written, with a great voice and a big hook – send it! I’ve signed a few projects this year that I never imagined I’d fall in love with.

You can send submissions to cooperqueries@thebentagency.com with your title and genre in the subject line, and your first 10 pages pasted under your query letter.   Submissions guidelines can be found here. I love finding gold in my submissions – so please keep sending them!

Deal Announcement: Three Book Deal for Katie Delahanty

As a long time editor at HarperCollins gone freelance in Los Angeles, I adore playing Emma and creative matchmaking debut authors with their agents. But when I read Katie Delahanty’s IN BLOOM, I discovered a new voice, a story, and a world that I loved so madly that I realized that I wanted to represent a project for the first time.

I was completely captivated by IN BLOOM’s protagonist and how fearless she was in following both her vision and her heart. And more so I was in awe of former fashion designer Katie Delahanty and her astonishing gifts as a writer. Take a minute to visit Katie’s website as I think that you will be inspired to learn that it was the economic downturn that lead Katie to begin to publish her story in blog format in 2011 when her role at her company unexpectedly shifted from fashion design to e-commerce.

I know that you guys are going to love the Brightside series and we can’t wait to share it with you. Here is a glimpse at the first book in the series IN BLOOM:

My name is Olivia Bloom and I. Am. Free.

Turning up Berkeley and the Brightside's "I’ve Got a Chance" so she doesn’t have to hear the predictions her self-proclaimed “psychic” Mom is calling after her, Olivia Bloom pulls out of her parents’ driveway. Swallowing fear, she vows to be brave--to leave her safety net behind; to forget her broken heart--and drives cross country from Pittsburgh to pursue her dream of becoming a Hollywood costume designer.

When Liv arrives in LA, her plans go awry, and she is grateful when her fabulous neighbors, Parker and Blair, take her under their Hollywood-insider wings. Blair offers her a freelance position as a dresser at a star studded fashion show on the condition that Liv follows a set of unspoken celebrity rules that Parker and Blair lay out for her. Nervous, but desperate to find work, Liv accepts. At the fashion show Liv has an unfortunate run-in with the lead singer of her favorite band, Berkeley Dalton. 

Having broken all of Parker and Blair's rules, she is certain she is doomed to fail in Los Angeles. But, driven by the knowledge that a superstar like Berkeley talked to a “nobody” like Liv, Parker and Blair think otherwise and vow to turn her into Los Angeles’ My Fair Lady. They get to work on “the spin” and several months later pass her off as an It girl at Elton John’s annual Oscar Party.

Having learned to be her bravest self under Parker and Blair’s tutelage, Liv’s Old Hollywood dreams begin to unfold in ways she never could have imagined, and she struggles to remain grounded. Even as a second chance meeting with Berkeley Dalton ignites a whirlwind romance and Psychic Mom sends prophecies swirling with possibility, Liv never truly believes that an “every” girl from Pittsburgh could end up living this magical behind-the-scenes existence. She is determined to remain rooted in reality and focused on her new career as a lingerie designer, but just when it seems the fairy tale may crumble, Berkeley proves to Liv that maybe magic exists after all…

And here’s her deal announcement:

Katie Delahanty's IN BLOOM, the first book in the Brightside series, in which a recent college graduate moves west from Pittsburgh to pursue her dream of becoming a costume designer, is spun by her Hollywood insider neighbors into Los Angeles' My Fair Lady, and who has a chance encounter with a rock star that ignites a whirlwind romance, to Karen Grove at Entangled Embrace, in a three-book deal, by Jennifer Pooley at The Bent Agency (world).

Please join me in congratulating Katie on twitter at @ktdelahanty and please "like" her Facebook page.

- Jennifer Pooley

TBA is looking for a new Young Adult/New Adult intern!

We are looking for another Young Adult/New Adult fiction intern. You do not need to have any kind of publishing experience. You should love to read and be familiar with contemporary fiction in this genre, particularly with Young Adult and New Adult books on the New York Times bestseller list.  Familiarity with Middle Grade books is also a plus.

You do not need to live in New York—this is a remote internship. We ask for a ten-hours-a-week commitment. Please note that it is unpaid. 

Interested? Send an email to nicole@thebentagency.com and put "YA intern" in the subject line. Tell us why you want the internship and something about yourself, or include a resume if you have one (but it's not necessary). Include two lists: the last ten YA/NA books you've read and your top ten favorite YA/NA books of all time. 

If you've applied in the past, you're welcome to apply again. We usually get a great many applicants and the application period will close fairly quickly; watch this space for details.

Some Query Tips -- a post by Victoria

As I make my daily trek into the slush pile, I’m often quite surprised at just how many authors make the same easily-corrected mistakes. So here are a few tips for those of you currently looking for representation to go over before you hit the send button.

1. Always follow the submission guidelines.

I’m always a little shocked at how many authors ignore our submission guidelines — like not including sample pages, or attaching them rather than embedding them. (You can find our submission guidelines here.) Each agent has her own preferences and you should make the necessary tweaks to your query to meet their guidelines. While it’s policy here at the Bent Agency to respond by asking the author to correct their mistake, for some agents, it means an automatic form rejection.

2. Make sure you get the agent’s name right and skip the mass email.

While you should certainly query multiple agents simultaneously, take a second to be sure that you’ve gotten the agent’s name correct. We won’t be insulted or take it personally, but you don’t want to come off as careless. Also, skip the To whom it may concern and opt for addressing each agent personally.

3. Proofread.

One or two spelling/grammar mistakes won’t prove fatal for your query (we’ve all done it), but more than a few will be sure to raise a red flag with an agent.

4. Do your research.

Be sure to research the agent and what she’s currently looking for to make sure your project fits the bill.

5.  Be specific.

If you’ve been published before, we definitely want to hear about it. However, if you say that you have publishing credentials, be sure to include the details!

      6. Don’t over self-promote.

It’s great to be enthusiastic and passionate about your work, but try to avoid going overboard tooting your own horn. If your project is that good—and it may very well be—we’ll be able to tell. You should use that space to give the agent a better sense of what your project’s about.

      7. Keep it short and sweet.

You should be able to tell the agent what your book’s about, the hook and why you’re the author to write it in less than a page. And while you should always include a bio, try to keep it brief and only include relevant facts, like publishing credentials or what makes you the ideal person to write your novel.

      8. Finish your book before querying.

While you may be anxious to find representation, avoid querying before you’ve finished your novel. Agents want to see full manuscripts that have gone through one or two rounds of edits first.

     9.  Start your query off right.

It’s best to start your query off with your hook or synopsis, rather than your bio.

    10.  Be creative.

Try to avoid starting your query with rhetorical questions like “What would you do if…” and “Have you ever wondered what it would be like if…” Be creative with your hook! You want your query to grab the agent’s attention right away.