I read a lot. A LOT. Clients’ projects (three this week) and
queries (15–20 every day) and requested full manuscripts (I try to read two a
week), of course, but I try to keep up with recently published titles as well. Editors are generous people. Pretty much every lunch or coffee
date or phone call with one of them results in a big fat package on my desk a few days later;
editors are proud of the books they’ve worked on, and they know that the more I
understand their taste, the likelier it is I’ll send them projects they want to
buy.
Every so often I’ll read a book that knocks my socks off and
makes me frantically flip to the acknowledgements to see who the author’s agent
is so I can seethe with envy admire her good taste. This week I signed a
client who’d seen my tweet about loving a certain book and then queried me,
essentially saying “Since you loved that book, you might like my project, too.”
(Hey, it works for Amazon.) And oh my STARS, was she right. Her book is just
absurdly fantastic, reminiscent and yet not at all derivative of that book I’d
tweeted about.
So I thought I’d mention a few recent(-ish) books I loved in
the hopes that someone, somewhere will read this post and recognize and
elements of one of these titles in her own project…and send it to me immediately.
SOMETHING REAL
by Heather Demetrios (Henry Holt BFYR). I have a horror of reality shows. Many
of them seem to feature humans at their stupidest, and networks have churned
them out instead investing in scripted television drama and comedy, making a
tough job market even tougher for actors. And I feel a bit sick to my stomach every
time I read about those surveys that say kids today aspire to be famous rather
than have actual careers. SOMETHING REAL shines an unflattering light on the reality TV industry and asks
smart questions about celebrity—but it’s also a swoony romance and a fresh
twist on the perennial conflict between parents and the teenagers craving
independence from them. I'd really like to see another project that examines celebrity and the desire for it in a thoughtful, nuanced way.
JERSEY ANGEL
by Beth Ann Bauman (Wendy Lamb Books/Random House). It took me a while to
finally pick this one up, even though its editor has reliably impeccable taste
and one of my best friends blurbed it. (Sometimes
I’m too contrary for my own good.) The cover image is beachy, and I’m not a
beach person unless it’s a foggy day and I can wear one of those chunky wool
fisherman’s sweaters. But I was spellbound when I did read it. You know how so
many contemporary YA main characters are kind of wordy, nerdy smart kids? Don’t
get me wrong, I love those; they’re the kind of kids I identified with at that
age (and still do). But Angel isn’t like that at all: she’s not academically ambitious, she’s
not riddled with Dawson’s Creek-esque
angst, and her moral compass is a little unreliable. She’s promiscuous, but
she’s in full control of her sexuality and crucially, she’s not punished for
that. Angel didn’t remind me of anyone I’d ever met in a YA novel, and her
voice just swept me away: soulful, unself-conscious, literary but never distant
or overserious. I would love to
find a project with a MC as atypical as Angel.
I CAPTURE THE CASTLE by Dodie Smith (St. Martin’s Griffin).
Okay, this isn’t recent at all — it was first published in 1948. But I just
reread it, parceling it out one chapter a night at bedtime, savoring the
language. Every sentence Smith writes is intentional and finely crafted in a way that sends chills down my spine: the precision is just
magnificent. There are other authors who do this well — Jane Gardam and A LONG
WAY FROM VERONA comes to mind, Jo Walton (have you read AMONG OTHERS? You must), Barbara Trapido (FRANKIE AND
STANKIE isn’t ever classified as YA,
but it certainly could be), the divine Catherynne Valente. If you’re a fan of
any of these authors, I think you’ll know what I mean (and if you can think of
more writers in this vein, do say so in the comments). I love authors who can write this way.
And lastly, my current bedtime reading is DETROIT CITY IS
THE PLACE TO BE by Mark Binelli
(Metropolitan)— it’s nonfiction, and it’s about the decline of what was
once one of America’s most thriving industrial cities. You’ve seen the photos, I’m sure, of decaying abandoned buildings in Detroit; how cities grow and
collapse has always fascinated me, and this book is a smartly-written look at
Detroit’s history as well as its devastated present. If you’re writing a YA or
MG book set in contemporary Detroit, I will be sorely disappointed if I don’t
get to take a look at it.
Does any of these books strike a chord with you? Submission guidelines are here; give them a once-over and then query me at hawnqueries at thebentagency.com.
Does any of these books strike a chord with you? Submission guidelines are here; give them a once-over and then query me at hawnqueries at thebentagency.com.
I just finished The Monsters of Templeton by Lauren Groff (Hyperion), which is probably the best book I've read all year. I think she has a singular command of language, too. A bit more playful than the writers you listed above, but just as delectable!:)
ReplyDeleteI'll look for that, Colum! Thanks for the recommendation.
DeleteOh my goodness, "I Capture the Castle," is my favorite book and a great inspiration to me!
ReplyDeleteI love "I Capture the Castle"! The Mortmains are pretty much exactly like my mom's side of the family. Transposed from England to Connecticut.
ReplyDelete